Vocalist Maria Neckam’s latest CD is Unison (Sunnyside Records, 2012). In this interview, Neckam talks about finding her own musical path early in life; writing songs that don’t use traditional forms; her journey from Vienna to Amsterdam to Brooklyn; and the effects of Buddhism on her life and music. Learn more at marianeckam.com and follow her on Twitter at @MariaNeckam.

I don’t write very many record reviews these days, but this is an album that really hit me. Full disclosure: I know Schrire personally.

/ / /

Nicky Schrire’s Freedom Flight

From the first moments of Nicky Schrire’s Freedom Flight, it’s clear that this is no ordinary jazz vocal album. The album beings with an example of the fearlessness and daring that have become hallmarks of Schrire’s live performances, as she sings a stark, haunting, wordless opening to what becomes a captivating version of Paul McCartney’s “Blackbird.”

Schrire, who hails from Capetown, London and New York, fills her debut recording with moments that remind us of the power of the human voice and its ability to tell a story. She does this through arrangements of well known songs like Bob Dylan’s “Don’t Think Twice It’s All Right” and the aforementioned “Blackbird,” coupled with her own original compositions and works that aren’t often sung in this context.

Schrire is equally at home as an instrumentalist (e.g. her wordless vocal with the band at the end of her song “Journey”) or out front carrying the emotional core of the song. Her pop-inflected voice brings all her repertoire firmly into the modern era, even when she’s singing a standard like Lerner and Loewe’s heart-rending “If Ever I Would Leave You.” But don’t misunderstand, Schrire has an obvious grounding in the tradition and lots of chops – this isn’t a pop singer dabbling in the jazz world. Schrire is also a skilled arranger – clever without being precious, always serving the song.

The core band members – pianist Nick Paul, bassist Sam Anning and drummer Jake Goldbas – bring sympathetic ears and a shared understand of Schrire’s aesthetic. Paul’s piano is always right where it needs to be and he’s an accomplished soloist, too (hear him on “É Preciso Perdoar”, for example). Anning and Goldbas, meanwhile, are skilled at laying down a groove (“Ode To A Folk Song”) or creating a spacious environment for Schrire to expand into (“Cosmic Love”). There are standout solo performances by several other musicians, including saxophonist Paul Jones, who shines on “Ode,” clarinetist Jay Rattman, percussionist Brian Adler and one of Schrire’s mentors, pianist and vocalist Peter Eldridge.

It’s Schrire’s gorgeous singing, though, that holds everything together. The listener is drawn again and again to moments like the switch to English on “Sleep Away,” when Schrire’s voice seems to dance out of the speakers and fill the room. Or her arresting and childlike performance of Loudon Wainwright’s “The Swimming Song,” accompanied by Adler’s earthy cajon and Schrire’s own overdubbed backing vocals.

The highest compliment that can paid to this record is that it doesn’t sound like a debut. This is an album by a talented, confident singer with a fresh approach and the voice to bring her ideas to life.

NOTE: Freedom Flight will be available in the US on May 22 and in South Africa on July 1. Schrire will be performing a CD release show at Cornelia Street Cafe in New York City on Wednesday, June 6 at 8:30 p.m.

Vocalist Melissa Stylianou’s new CD is Silent Movie (Anzic Records, 2012). In this interview, Stylianou talks about her accidental entrance into the world of jazz; the importance of storytelling; and how her training as an actor has impacted her musical career. Learn more at melissastylianou.com and follow her on Twitter at @sleepinbee.

CONCERT NOTE: Melissa Stylianou is performing two CD release shows in honor of her new album — at Jazz Standard in New York City on April 3 and at The Rex in Toronto on April 7. More details at melissastylianou.com.

Pianist and vocalist Champian Fulton’s latest CD is The Breeze And I. In this interview, Fulton talks about the bebop record she listened to exclusively for months (starting the day she was born); her father’s influence and how his friendship with Clark Terry shaped her life; and her transition from student to working musician. Learn more at champian.net and follow her on Twitter at @ChampianFulton.

The Tierney Sutton Band’s latest CD is American Road (BFM Jazz, 2011). In this interview, Sutton talks about why the band chose to focus on Americana for this record; how the band functions as a collective in everything from song arranging to business; and how her Baha’i faith has influenced the way she approaches making music. Learn more at tierneysutton.com and follow her on Twitter at @TierneySutton.

Vocalist Ed Reed’s new CD is Born To Be Blue (2011). Reed, now 83, has lived the kind of life about which movies are made. This interview charts the story of his life: his childhood in the Watts neighborhood of Los Angeles, where a young Charles Mingus was a frequent neighborhood visitor and the big bands were a constant source of entertainment; his time in the military, where he was introduced to drugs; his years in San Quentin and Folsom prisons, where he played in the prison bands with the likes of Art Pepper; his eventual rehabilitation after many attempts; and his turn to performing and recording in his 70s. Learn more at edreedsings.com.

Vocalist Amy Cervini’s new CD is Digging Me, Digging You (Anzic, 2012), a tribute to Blossom Dearie. In this interview, Cervini talks about her early exposure to Dearie and why she fell in love with her music; how she chose the songs for this album from Dearie’s large repertoire; why she favors working bands; and the itinerary of her upcoming tour. Learn more at amycervini.com and follow her on Twitter at @amycervini.

CONCERT NOTE: Amy is playing two CD release shows in New York on March 6 and 7, 2012, from 7-9 p.m. both nights at the 55 Bar, 55 Christopher St. She is also touring throughout North America. Visit her website for details.

Vocalist Andrea Wolper’s new CD is Parallel Lives (Jazzed Media, 2011). In this interview, Wolper talks about her unfettered and very personal approach to song choice and performance; how poetry influences her work; and her parallel life as an activist for social justice. Learn more at andreawolper.com and follow her on Twitter at @AndreaWolper.

Vocalist and guitarist Camila Meza’s most recent CD is Retrato (Vertice Records, 2009). In this interview, Meza talks about her early days learning guitar in her native Chile; how a teacher discovered she could sing and the effect it had on her life; and how she sometimes feels like two people at once when she plays and sings at the same time. Learn more at camilameza.com.

CONCERT NOTE: Camila Meza performs on 11/1/11 at 8:30 p.m. at Cornelia Street Cafe in New York.

Renée Yoxon is a vocalist from Ottawa, Ontario. Her debut recording, Let’s Call It A Day, is a duet album with guitarist René Gely. In this interview, Yoxon talks about the jazz scene in Ottawa; how she started singing standards and why she still does; and how her science background has influenced the way she approaches the physicality of singing. Learn more at www.reneeyoxon.com and follow her on Twitter at @reneeyoxon.

An interview and performance with vocalist Kyoko Kitamura and trombonist Jen Baker, recorded live at Downtown Music Gallery in Manhattan. In this interview, Kitamura and Baker talk about collective improvisation; building a new vocabulary; and the structures of their compositions. Learn more at kyokokitamura.com and baker7jenz.com/home.html.

Vocalist Jay Clayton has long been known as both an accomplished singer of standards and a fearless adventurer in the world of electronics. In this interview, Clayton talks about those dual personas and how she brings them together; discusses her work with Sheila Jordan, Theo Bleckmann and others; and talks about her early days in the New York loft scene. Learn more at jayclayton.com.

Tracks used in this episode: (from In And Out Of Love) Falling In Love With Love; Freedom Jazz Dance; (from Circle Dancing) Circle Dancing; Sappho; Ditto; (from In And Out Of Love) Sunshower.

Mad Heaven (Palmetto, 2011) is the new album by pianist and vocalist Peter Eldridge. In this interview, Eldridge talks about making a thematic album; the influence of his parents and siblings on his musical taste and career choice; and the many projects he’s working on, including a film score, a musical and a duo project with bassist Matt Aronoff. Learn more at petereldridge.com.

Tracks used in this episode: Charmer; Voce e Eu; Buffet Philosophy; Mad Heaven; No Tomorrow; Pra Machucar Meu Coracao; The Very Thought Of You.

Vocalist Fay Victor explores her Trinidadian roots in the company of Other Dimensions In Music on Kaiso Stories (Silkheart, 2011). In this interview, Victor talks about the chance meeting that led to the new CD; how she melded the calypso music of Trinidad with the experimental jazz she’s known for; and the many projects with which she’s currently involved. Learn more at www.fayvictor.com.

Tracks used in this episode: Maryanne; John Gilman Wants Tobacco; Three Friends’ Advice; Nora; Saltfish; We Is We.

NOTE: Fay is performing tonight (April 11, 2011) at 7 p.m. with Dominic Lash at Clemente Soto Velez Cultural Center, 107 Suffolk Street, NYC, as part of the Evolving Music Series. Please note that this is a new location for the series. Also on the bill: Theo Bleckmann & Jay Clayton (8 p.m.); Charles Gayle’s Forgiveness (9 p.m.); Arts for Artestra (10 p.m.).

Singer and songwriter Rebecca Martin turns her attention to the Great American Songbook on When I Was Long Ago (Sunnyside, 2010). In this interview, Martin talks about how a recording with Paul Motian led to her own album with no chordal instrument; why she chose to interpret standards for this recording; and her ideas about the primacy of melody. Learn more at www.rebeccamartin.com.

Multi-instrumentalist Kali Z. Fasteau continues to experiment with the nature of sound on her new album, Animal Grace (Flying Note, 2010). In this interview, Fasteau talks about how she pushes past the perceived limits of the instruments she plays; how her experiences traveling the world inform her music; and the system of balance she finds in music and in life. Learn more at www.kalimuse.com.

A collection of short interviews recorded at the 2009 Tanglewood Jazz Festival in Lenox, MA. Featuring Regina Carter, the Vanguard Jazz Orchestra, Nnenna Freelon and more. Learn more at www.tanglewoodjazzfestival.org.

Vocalist Sara Serpa teams with her former teacher, pianist Ran Blake, on Camera Obscura (Inner Circle Music, 2010). In this interview, Serpa (who is Portuguese) talks about interpreting English lyrics; the high-wire act of singing with Ran Blake’s unique accompaniment; and the story of her journey from Lisbon to Boston to New York. Learn more at www.saraserpa.com.

Vocalist Theo Bleckmann is all by himself on his new solo recording, I Dwell In Possibility (Winter & Winter, 2010). In this interview, Bleckmann talks about why he wanted to record an album with only voice and toy instruments; how he approaches adapting the work of others; and the joys of feeling free to perform in nearly any musical context. Learn more at www.theobleckmann.com.

Vocalist Amy Cervini is one of a handful of jazz singers who are successfully taking their repertoire from outside the Great American Songbook. On Cervini’s new album, Lovefool (Anzic Records, 2009), she tackles everything from the Cardigans to Depeche Mode to Nellie McKay and makes it all work. In this interview, Cervini talks about how she chooses her repertoire; the response of jazz and pop fans to the music she sings; and how she’s managed to build both performing and artist management careers. Oh, and she’s having a baby, too. Learn more at www.amycervini.com.

If you’d like to buy this album, you can support The Jazz Session by purchasing it via the link below:

Pianist and vocalist Michael Kaeshammer has spent more than a decade making music that’s both fun and smart. He draws on everything from James P. Johnson and Fats Waller to contemporary pop music on his new album, Lovelight (Alert Music, 2009). In this interview, recorded at the 2009 Tanglewood Jazz Festival, Kaeshammer talks about the nature of showmanship; how he came to love the early stride piano masters; and why New Orleans has become an important source of inspiration for his music. Learn more at kaeshammer.com.

If you’d like to buy this album, you can support The Jazz Session by purchasing it via the link below.

Kat Edmonson is making a name for herself as both a smart interpreter of popular songs (both old and new) and as a musician who puts her values into practice in her art. Edmonson’s debut CD, Take To The Sky (Convivium Records, 2009) features creative reworkings of tunes by Carol King, The Cure and The Cardigans, alongside (un)expected versions of Cole Porter, George Gershwin and Henry Mancini. In this interview, Edmonson talks about her years of apprenticeship in Austin, TX; how she’s navigating the line between jazz and pop music; and how she turned a quotation from Gandhi into a hit YouTube video. NOTE: Edmonson is making two rare East Coast appearances this week: at Sculler’s in Boston on Tuesday (11/10) and at The Jazz Standard in New York on Wednesday (11/11). Learn more at katedmonson.com.

If you’d like to buy this album, you can help support The Jazz Session by purchasing it via the link below:

Pianist and vocalist Patti Wicks teams up with her Italian trio — bassist Giovanni Sanguinetti and drummer Giovanni Gulino — and guest saxophonist Scott Hamilton for Dedicated To… (Geco Records, 2009). In this interview, Wicks talks about how she dealt with her childhood visual impairment and learned to play by ear; her college days at the Crane School of Music and her early years in New York; and why Italy has become a home-away-from-home for her. Learn more at pattiwicks.com.

If you’d like to buy this album, you can support The Jazz Session by purchasing it via the link below:

Cymin Sawamatie was born in Germany to Iranian parents, and that mix of cultures informs the music of her band, Cyminology. On their third CD, and their first for ECM, Cyminology (ECM, 2009), the quartet explores the poetry of Rumi, Hafiz and Forugh Farrokhzad, combining these disparate poetic influences with a rich palette of composed and improvised music. In this interview, Samawatie talks about her culturally rich upbringing; the nature of her compositions; and why Cyminology can’t play in Iran. Learn more at www.cyminology.de.

If you’d like to buy this album, you can support The Jazz Session by purchasing it via the link below:

The Fay Victor Ensemble’s The FreeSong Suite (Greene Avenue, 2009) is a tour de force of writing, improvisation and performance. Victor and her band paint one fluid word picture after another, linking these composed sections with free playing that is smart, muscular and emotional. In this interview, Victor talks about why she needed a steady band to realize her musical vision; how she arrived at the mix of freedom and pre-determination that characterizes the album; and what the breakdown of Joe’s car says about human relationships. Find out more at

Jason Crane interviews vocalist Karrin Allyson. Her new recording, By Request: The Best of Karrin Allyson (Concord, 2009), showcases tracks from her 11 albums on the Concord label. In this interview, Allyson talks about the lucky break that led to her relationship with Concord; the intricacies of Brazilian music; and how her music is shaped by everything from her classical piano background to the singer-songwriters she heard on the radio when she was growing up. Find out more at Karrin.com.

If you’d like to buy this album, you can help support The Jazz Session by buying it via the link below:

Jason Crane interviews vocalist Kurt Elling. Known for his affinity for the music of John Coltrane, Elling’s new album, Dedicated To You (Concord, 2009), is his most explicit tribute yet. The album features the music of the classic Impulse recording John Coltrane & Johnny Hartman, performed here with saxophonist Ernie Watts, the Laurence Hobgood trio, and a string quartet. Elling discusses the genesis of the project, how he adapted this famous repertoire, and his role as an interpreter of the music.

If you’d like to buy this album, you can help support The Jazz Session by buying it via the link below:

Jason Crane interviews singer/songwriter Kate Schutt about her album Telephone Game (ArtistShare, 2009). Schutt has walked a different path than the average musician. She went to Harvard, where she played Division I lacrosse and hockey. She also went to the Berklee College of Music to hone her jazz chops. She speaks Chinese because her high school offered it. She’s an American, but she lives in Guelph, Ontario, a place she describes as the “Austin, Texas of Canada.” And on Telephone Game, she let her fans contribute to the songwriting process. Learn more at KateSchutt.com.

If you’d like to buy this album, you can help support The Jazz Session by buying it via the link below:

Jason Crane interviews vocalist and pianist Lisa Sokolov about her new album, A Quiet Thing. Sokolov is not like any singer you’ve ever heard before, but she is certainly one you need to hear. In this interview, Sokolov talks about what singing is and how she’s arrived at her unique approach to performance and arranging. She also talks about writing haiku in her sleep, and the song that resulted.

Jason Crane interviews vocalist Kate McGarry. Her new album, If Less Is More … Nothing Is Everything (Palmetto, 2008), explores everything from spirituality to The Cars in McGarry’s typically atypical style. McGarry is joined on the record by guitarist Keith Ganz, organist Gary Versace, bassist Reuben Rogers, drummer Clarence Penn, saxophonist Donny McCaslin, percussionist James Shipp, and vocalists Peter Eldrige and Jo Lawry.

CONTEST: Win Kate McGarry’s new CD! To enter, send an e-mail to contest@thejazzsession.com with “KATE” in the subject line. And remember — if you’ve won in the past 30 days, sit this one out, OK? Good luck!

BONUS TRACK: Listen to Kate sing Joni Mitchell’s “Chelsea Morning” at the 2008 Tanglewood Jazz Festival.

Jason Crane interviews vocalist Stevie Holland. On her new album, Before Love Has Gone (150 Music, 2008), Holland uses her song selection to tell a personal story. Each song on the album has a particular story behind it, and several are lesser-known gems. Holland is joined on the album by pianist Martin Bejerano, bassist Edward Perez, drummer Willie Jones III, saxophonist Ole Mathisen, and guitarist Paul Bollenback. Find out more at StevieHolland.com.

Jason Crane interviews singer-songwriter Spencer Day in the last of three interviews recorded at the 2008 Tanglewood Jazz Festival. Day and his band had just finished their set at the festival, one day after Day joined Marian McPartland on stage for a live taping to celebrate her 90th birthday. That’s quite a distance from growing up Mormon in small southwestern towns. Day is nearly finished with his next CD, which includes the Turtle Island String Quartet and a gospel choir performing Day’s compositions. This interview features tracks from Day’s 2005 recording Movie of Your Life. Find out more at spencerday.com.

Jason Crane interviews vocalist Jo Lawry in the second of three shows recorded live at the 2008 Tanglewood Jazz Festival in Lenox, MA. Lawry hails from Australia, and she’s pursuing her doctorate in jazz performance at the New England Conservatory. With flawless intonation and inventive arranging, Lawry impresses on her debut recording, I Want To Be Happy (Fleurieu Music, 2008). And be sure to check out her own compositions, including the new classic, “Small House.” Find out more at jolawry.com.

CONTEST: Win a copy of Jo Lawry’s I Want To Be Happy! To win, be one of the first two people to send an e-mail to contest@thejazzsession.com. Please put “Jo” in the subject line! (Note: Listeners who’ve won in the last 30 days need to sit this one out. Thanks!)

Jason Crane interviews vocalist Kate McGarry about her new album, The Target (Palmetto, 2007). It’s yet another stellar album in a career that has seen her working with everyone from Fred Hersch to Maria Schneider. On The Target, McGarry is joined by her husband Keith Ganz on guitar, Gary Versace on organ and piano, Reuben Rogers on bass and Greg Hutchinson on drums, along with guest appearances from saxophonist Donny McCaslin and Theo Bleckman on voice loops. On both American songbook classics and impressive new compositions, the band finds an organic chemistry that brings something new to the old tunes and makes the new tunes sound familiar.

Jason Crane interviews trumpeter and vocalist Matt Shulman about his new album, So It Goes (Jaggo Records, 2007). Shulman sings and plays trumpet, but that’s where the Chet Baker comparison ends, although like Baker, Shulman incorporates the hip music of the day into his own work. Skilled at multiphonics — playing one note while simultaneously singing another — Shulman is able to expand the range of the trumpet beyond its normal capacity. On So It Goes, Shulman tackles everything from Led Zeppelin to “My Funny Valentine” with impressive results.