Jason Crane interviews vocalist Kate McGarry. Her new album, If Less Is More … Nothing Is Everything (Palmetto, 2008), explores everything from spirituality to The Cars in McGarry’s typically atypical style. McGarry is joined on the record by guitarist Keith Ganz, organist Gary Versace, bassist Reuben Rogers, drummer Clarence Penn, saxophonist Donny McCaslin, percussionist James Shipp, and vocalists Peter Eldrige and Jo Lawry.

CONTEST: Win Kate McGarry’s new CD! To enter, send an e-mail to contest@thejazzsession.com with “KATE” in the subject line. And remember — if you’ve won in the past 30 days, sit this one out, OK? Good luck!

BONUS TRACK: Listen to Kate sing Joni Mitchell’s “Chelsea Morning” at the 2008 Tanglewood Jazz Festival.

Jason Crane interviews vocalist Stevie Holland. On her new album, Before Love Has Gone (150 Music, 2008), Holland uses her song selection to tell a personal story. Each song on the album has a particular story behind it, and several are lesser-known gems. Holland is joined on the album by pianist Martin Bejerano, bassist Edward Perez, drummer Willie Jones III, saxophonist Ole Mathisen, and guitarist Paul Bollenback. Find out more at StevieHolland.com.

Jason Crane interviews saxophonist Sonny Rollins. He’s just released Road Shows Vol. 1 (Doxy Records, 2008), a compilation of live performances spanning 20 years. Gary Giddins calls it “one of the finest Sonny Rollins albums ever released.” In this interview, recorded on Election Day 2008, Sonny talks about everything from the prospect of an Obama presidency and the crisis of global warming to the mystery and beauty of jazz improvisation. Find out more at SonnyRollins.com.

Calling all jazz fans in and around Los Angeles! I’ve got two tickets to see ECM recording artist Marcin Wasilewski and his trio this Monday, November 3, at the Jazz Bakery in L.A. (You can hear Marcin and his music on this week’s episode of The Jazz Session.)

To win, send an e-mail to contest@thejazzsession.com with “tickets” in the subject line. First one to contact me wins!

Jason Crane interviews Polish pianist and composer Marcin Wasilewski. His new recording, January (ECM, 2008), features his own compositions alongside those of Gary Peacock, Carla Bley, Ennio Moricone and … Prince. Wasilewski’s trio is very much a part of the new European piano trio renaissance, featuring inventive material played democratically.

CONTEST! The Marcin Wasilewski Trio starts a U.S. tour on November 1 in Seattle, with stops in San Francisco, LA, Chicago, Milwaukee, Philadelphia, Baltimore and Columbus. I’ve got two tickets to Marcin’s show at the Jazz Bakery in LA on Monday, November 3. To win, be the first person to send an e-mail to contest@thejazzsession.com with “Marcin” in the subject line. Listeners who have won in the past 30 days need to sit this one out. Everyone else — good luck!

Jason Crane interviews pianist and composer Satoko Fujii. Fujii has released four new recordings in 2008, her 50th birthday year. These records find her with her New York trio; on accordion in the avant-folk-jazz group of her husband, trumpeter Natsuki Tamura; in a quartet with some of Japan’s most talented improvising musicians; and in a second trio with both American and Japanese musicians. Far from slowing down in her middle years, Fujii seems to be pushing herself even more relentlessly, searching for new and exciting ways of expressing her musical ideas. Find out more at Satoko Fujii’s Web site.

Jason Crane interviews saxophonist Kenny Garrett about his new CD, Sketches of MD (Mack Ave Records, 2008). This album features the paired saxophones of Garrett and Pharoah Sanders, who’ve performed together many times but never recorded live. Garrett wrote all the tunes on the album, each of which draws inspiration from a sideman or groove concept associated with the Miles Davis band (the “MD” of the album title). Find out more at kennygarrett.com.

CONTEST: Win Sketches of MD! I’ve got three copies of the CD to give away. To win, send an e-mail with the subject line “KENNY” to contest@thejazzsession.com. (Note: If you’ve won in the past 30 days, please sit this one out. Thanks!)

Jason Crane interviews saxophonist Javon Jackson. On his new recording for Palmetto Records, Once Upon A Melody, Jackson pays tribute to the people and songs that have influenced him, from Wayne Shorter to Sonny Rollins to Ramsey Lewis to Corinne Bailey Rae. During this interview, Javon leads a track-by-track tour of the record, and you’ll hear excerpts from every composition. He’s joined on the album by pianist Eric Reed, bassist Corcoran Holt and longtime musical partner Billy Drummond on drums. Find out more at javonjackson.com.

CONTEST: WIN A COPY OF JAVON JACKSON’S CD, Once Upon A Melody. To win, send an e-mail to contest@thejazzsession.com with JAVON in the subject line. Good luck!

Jason Crane interviews saxophonist Adam Niewood about his new 2-CD set, Epic Journey: Volumes I & II (Innova, 2008). Niewood is the son of famed woodwind player Gerry Niewood, but he has stepped firmly out of his father’s shadow with this new release, which features both composed and free-improvised music. Niewood’s writing skills are as strong as his playing, and the albums surprise and delight with repeated listening. In this interview, Niewood talks about the making of Epic Journey, the 90s scene in NYC, and his kindergarten-era tour with Simon & Garfunkel. Find out more at niewood.com and download tracks at www.myspace.com/niewood.

In going through my audio recorder, I discovered that I had recorded a complete song by Kate McGarry and the Less Is More Trio at the 2008 Tanglewood Jazz Festival. Here are Kate on vocals, Keith Ganz on guitar and Clarence Penn on percussion with Joni Mitchell’s “Chelsea Morning.”

Jason Crane interviews singer-songwriter Spencer Day in the last of three interviews recorded at the 2008 Tanglewood Jazz Festival. Day and his band had just finished their set at the festival, one day after Day joined Marian McPartland on stage for a live taping to celebrate her 90th birthday. That’s quite a distance from growing up Mormon in small southwestern towns. Day is nearly finished with his next CD, which includes the Turtle Island String Quartet and a gospel choir performing Day’s compositions. This interview features tracks from Day’s 2005 recording Movie of Your Life. Find out more at spencerday.com.

Jason Crane interviews vocalist Jo Lawry in the second of three shows recorded live at the 2008 Tanglewood Jazz Festival in Lenox, MA. Lawry hails from Australia, and she’s pursuing her doctorate in jazz performance at the New England Conservatory. With flawless intonation and inventive arranging, Lawry impresses on her debut recording, I Want To Be Happy (Fleurieu Music, 2008). And be sure to check out her own compositions, including the new classic, “Small House.” Find out more at jolawry.com.

CONTEST: Win a copy of Jo Lawry’s I Want To Be Happy! To win, be one of the first two people to send an e-mail to contest@thejazzsession.com. Please put “Jo” in the subject line! (Note: Listeners who’ve won in the last 30 days need to sit this one out. Thanks!)

Jason Crane interviews clarinetist and tenor saxophonist Eddie Daniels in the first of three Jazz Session shows recorded live at the 2008 Tanglewood Jazz Festival in Lenox, MA. Daniels played the fest with many of the same musicians who appear on his 2-CD live album Homecoming (IPO Recordings, 2007). Daniels got his start as a saxophonist with the Thad Jones & Mel Lewis big band, and then launched a successful solo career that took the clarinet to new heights. He started performing on saxophone again in 2005 and now uses both instruments in his sets. During the interview, you’ll hear Daniels receive a fateful phone call that changes the nature of his performance at the festival.

CONTEST: Win a copy of Eddie Daniels’ Homecoming: Live At The Iridium! To win, be one of the first three people to send an e-mail to contest@thejazzsession.com. Please put “Eddie” in the subject line! (Note: Listeners who’ve won in the last 30 days need to sit this one out. Thanks!)

Jason Crane interviews composer and guitarist Joel Harrison. With The Wheel (innova, 2008), Harrison straddles the line between written and improvised music, composing for an ensemble made up of a string quartet and jazz quintet. The results are surprising and powerful. The majority of the album is composed of the five-movement suite “The Wheel,” and the record ends with the moving tribute, “In Memoriam: Dana Brayton.”

CONTEST: Listen to the show to hear how you can win a copy of the The Wheel!

Jason Crane interviews saxophonist and composer Donny McCaslin about his new record, Recommended Tools (Greenleaf Music, 2008). The new album is McCaslin’s statement in the saxophone trio format, and he’s joined by two of New York’s finest — bassist Hans Glawischnig and drummer Johnathan Blake. McCaslin shines on this album of original compositions, plus Billy Strayhorn’s Isfahan. (NOTE: McCaslin was on The Jazz Session #29 last year in an interview that featured an in-depth look at his life and work.)

Jason Crane interviews pianist and composer Aaron Parks. Parks is 24 years old—and he started college 11 years ago. A child prodigy who entered the University of Washington at age 13 as a triple major in math, computer science and music, Parks quickly found that music was his true calling. Now, after a five-year stint with trumpeter Terence Blanchard, Parks has released his Blue Note debut, Invisible Cinema. The album is a tour de force of composition, imagination and performance.

Jason Crane interviews saxophonist John Ellis. After making a name for himself during his five years with guitarist Charlie Hunter, Ellis has emerged as a leader and composer in his own right. His new album, Dance Like There’s No Tomorrow (Hyena Records, 2008) is a celebration of the sousaphone (yes, the sousaphone!) in a funky stew of creative and fun tunes, all penned by Ellis.

Jason Crane interviews drummer, composer, arranger, educator and NEA Jazz Master Chico Hamilton. The 86-year-old Hamilton released four albums (!) in 2006, and then collected tracks from the four albums on 2007’s Hamiltonia (Joyous Shout, 2007). This year will see the release of two more recordings — a remix album featuring new takes on classic Hamilton tracks, and an EP that pays tribute to his first recording with a guitar-drum-bass trio. The show features two tracks from the upcoming trio record along with music from Hamiltonia.

Jason Crane interviews trumpeter and composer Avishai Cohen. (Not to be confused with bassist and composer Avishai Cohen.) Cohen is at the center of a vibrant musical scene in New York City — full of experimentation, melding musical styles, and an appetite for adventure. More than that, Cohen is a philosopher-musician, using his compositions to explore larger societal questions. His 2007 album After The Big Rain (Anzic Records, 2007) looks at the planet after a worldwide flood. The album is the final part of a trilogy (although Part 3 was recorded first) that explores the steps leading up to the flood, the flood itself, and its aftermath.

Jason Crane interviews Laurie Pepper, wife of the late alto saxophonist Art Pepper (1925-1982). Laurie has recently put out two sets of previously unreleased live recordings by Art Pepper — Unreleased Art, Vol. 1: The Complete Abashiri Concert — November 22, 1981 (Widow’s Taste, 2006) and Unreleased Art, Vol. 2: The Last Concert (Widow’s Taste, 2007). Both concerts show Pepper at the height of his emotional expression, and still very much in command of his instrument. In this interview, Laurie Pepper talks about the concerts and the process of releasing them, and also gives insight into the troubled and triumphant life of her husband.

Jason Crane interviews vocalist Kate McGarry about her new album, The Target (Palmetto, 2007). It’s yet another stellar album in a career that has seen her working with everyone from Fred Hersch to Maria Schneider. On The Target, McGarry is joined by her husband Keith Ganz on guitar, Gary Versace on organ and piano, Reuben Rogers on bass and Greg Hutchinson on drums, along with guest appearances from saxophonist Donny McCaslin and Theo Bleckman on voice loops. On both American songbook classics and impressive new compositions, the band finds an organic chemistry that brings something new to the old tunes and makes the new tunes sound familiar.

Jason Crane interviews pianist and composer Tord Gustavsen. His most recent recording, Being There (ECM, 2007), is part of a trilogy of records exploring the intimate territory traversed by the pianist and his trio. With bassist Harald Johnsen and drummer Jarle Vespestad, Gustavsen delves deeply into the rich musics of the world, filtering the results through a contemplative lens. Being There is an album that rewards repeated listening, and the interview makes it clear that a lot of thought and passion has gone into the music.

Jason Crane interviews trumpeter and vocalist Matt Shulman about his new album, So It Goes (Jaggo Records, 2007). Shulman sings and plays trumpet, but that’s where the Chet Baker comparison ends, although like Baker, Shulman incorporates the hip music of the day into his own work. Skilled at multiphonics — playing one note while simultaneously singing another — Shulman is able to expand the range of the trumpet beyond its normal capacity. On So It Goes, Shulman tackles everything from Led Zeppelin to “My Funny Valentine” with impressive results.

Jason Crane interviews trumpeter, flugelhornist and composer Brian Groder. Groder’s new album, Torque (Latham Records, 2006), features jazz master Sam Rivers on saxophone and flute, along with bassist Doug Mathews and drummer Anthony Cole. Groder has played with everyone from Cecil Taylor and Joanne Brackeen to Joe Cocker, Frank Sinatra and Sammy Davis, Jr. In addition to his various projects with other musicians, Groder also writes music for multimedia pieces and dance ensembles.

Jason Crane interviews Eric Nemeyer, vibraphonist and founder of Jazz Improv magazine. Nemeyer is also the creator of the Jazz Improv Live! Convention, a four-day gathering of jazz musicians, writers, historians, broadcasters and fans. The convention runs from October 25-28 in New York City. It features panel discussions, presentations, and workshops, along with nightly concerts in multiple venues.

Jason Crane interviews saxophonist Donny McCaslin. One of the busiest saxophonists in the business, McCaslin plays with Maria Schneider, Dave Douglas and many others. He also fronts his own groups, including the band on his new CD, In Pursuit (Sunnyside, 2007). A follow-up to his critically acclaimed record Soar (Sunnyside, 2006), In Pursuit features compositions commissioned for a Chamber Music America grant. McCaslin talks about his father’s influence, playing with Gary Burton, and the life of an in-demand musician.

Jason Crane interviews saxophonist and composer Brian Patneaude. His new quartet album is called As We Know It (WEPA Records, 2007). Patneaude was born and raised near Albany, NY. He’s chosen to make his musical stand in Albany, and the choice is paying off. Patneaude is a busy musician, whether it’s his weekly residency at famed Albany jazz club Justin’s or his continuing gig with Grammy-nominated Alex Torres and His Latin Orchestra. As We Know It features seven strong compositions by Patneaude, and some inspired playing by his regular working band and guest pianist Dave Payette.

Jason Crane interviews saxophonist Joel Frahm. Frahm is one of the busiest saxophonists on the scene today. You’ll find him on recordings with pianist Brad Mehldau, vocalist Jane Monheit, trumpeter Avishai Cohen, drummers Matt Wilson and Pete Zimmer, and the Waverly 7. His fourth record as a leader, We Used To Dance (Anzic Records, 2007), brings together a classic rhythm section that played with Stan Getz on some of his final recordings: pianist Kenny Barron, bassist Rufus Reid and drummer Victor Lewis. Frahm wrote many of the tunes on the record and also paid homage to those Getz recordings with tunes such as “Joanne Julia.” Frahm calls himself a musical chameleon, but his own personal tone and approach shines through on We Used To Dance.

Jason Crane interviews bassist Eberhard Weber. Weber’s name is synonymous with the “ECM sound,” because he’s been the bassist of choice on classic ECM recordings dating back to the label’s founding three decades ago. Since the early 1980s, Weber has played in saxophonist Jan Garbarek’s band. To celebrate his 65th birthday, the city of Stuttgart, Germany, threw Weber a two-night concert party. He was joined on stage by an orchestra, Garbarek, vibraphonist Gary Burton, and others from his musical career. The resulting album, Stages Of A Long Journey (ECM, 2007), is Weber’s first live recording and a wonderful testament to his virtuosity as both bassist and composer.

Jason Crane interviews drummer and composer Kendrick Scott. Scott’s new album with his band Oracle is The Source (World Culture Music, 2007). Scott grew up in Houston, surrounded by a musical family and the Baptist church. He knew from an early age that he wanted to be a musician, and he followed this path from Houston’s arts high school to Berklee and then into gigs with The Crusaders and Terence Blanchard. The Source weaves together these musical threads into a unified tapestry of lyricism and beauty.

Jason Crane interviews bassist Miroslav Vitous. Vitous came to the U.S. in 1966, and quickly became part of the New York jazz scene. He was a founding member of Weather Report along with Wayne Shorter and Joe Zawinul. Vitous played on the landmark trio session Now He Sings, Now He Sobs (Blue Note, 1968) with Chick Corea and Roy Haynes. Vitous’s new album is Universal Syncopations II (ECM, 2007), the sequel to his critically acclaimed Universal Syncopations (ECM, 2003). The album features trumpeter Randy Brecker, woodwind player Bob Mintzer, drummer Gerald Cleaver and many others.

Jason Crane interviews composer and trombonist Rick Parker. Parker’s most recent album with the Rick Parker Collective is Finding Space (WJF Records, 2006). It was named one of the top CDs of 2006 by Michael Ricci, publisher of All About Jazz. Parker sees himself as a composer first, trombonist second. His passion for writing shows on Finding Space, an album of original music by Parker (plus one number by drummer Kyle Struve). Parker won an ASCAP Young Composer Award for the album’s second track, “Nervous Energy.”

Jason Crane interviews keyboardist and composer David Witham. Witham is George Benson’s musical director, a gig he’s held down for more than 20 years. His resume includes everyone from Michael Brecker and Eddie Harris to k.d. lang, Jose Feliciano and Paul Anka. On his new album, Spinning The Circle (Cryptogramophone, 2007), Witham assembles an all-star cast from across the musical spectrum to play primarily his own compositions.

Jason Crane interviews guitarist Gene Bertoncini. Raised in the Bronx, Bertoncini began his musical education at an early age, encouraged by his parents. He studied architecture at Notre Dame before deciding on a life of music. That decision was a smart one — Bertoncini has since performed with the Metropolitan Opera orchestra, the Benny Goodman Sextet, Tony Bennett, Buddy Rich, Wayne Shorter, Burt Bacharach, Michel LeGrand and many others. He’s also on the faculty at the Tritone Jazz Camp (tritonejazz.com). All the selections in this show are taken from Bertoncini’s recording Acoustic Romance (Sons of Sound, 2003), featuring drummer Akira Tana and bassist Rufus Reid.

Show #9 from the 2007 Rochester International Jazz Festival. Featuring reviews, news, interviews and more! On this edition: Live sound samples from The Jens Winther European Quartet, Cowboy Mouth, The Soul Rebels and Avishai Cohen. Then, the grand finale: Greg, Seth, Ken and Jason get together for one massive roundtable discussion about the festival. Enjoy — and see you next year!

Be sure to visit the following sites for more RIJF coverage:

• Fretful Porpentine
• Jazz@Rochester
• Cup O’ Books
• Will Yurman’s multimedia slideshows
• Refrigerator
• Ron Netsky & Frank DeBlase at City Newspaper
• Polarbird’s Photos

Jason Crane interviews Andy Milne and John Moon of Dapp Theory at the 2007 Rochester International Jazz Festival. Andy Milne formed Dapp Theory several years ago to fuse many musical worlds, including hip hop, spoken word, and jazz improvisation. The original group recorded Y’all Just Don’t Know (Concord, 2003). Since then, the personnel roster has changed, but the visionary outlook and exciting music haven’t. Find out more at DappTheory.com.

Jason Crane interviews clarinetist Don Byron at the 2007 Rochester International Jazz Festival. Byron performed two sets with his Ivey Divey trio featuring pianist Jason Moran and drummer Billy Hart. Byron has covered a lot of ground in his musical career, from the Ivey Divey project (honoring Lester Young) to the music of Junior Walker, Raymond Scott and Mickey Katz. Byron talks about Lester Young, his next project, and the influence of African-American religion on African-American speech. Find out more at DonByron.com.

Jason Crane interviews pianist Jason Moran at the 2007 Rochester International Jazz Festival. Moran came to play with two bands — his own Bandwagon and Don Byron’s Ivey Divey trio. Moran’s most recent CD is Artist In Residence (Blue Note, 2006), an album composed mostly of Moran’s commissioned works. Moran talks about philosopher Adrian Piper, pianist Jaki Byard, and his new commission to create a multimedia piece inspired by Thelonious Monk’s 1959 Town Hall concert. Find out more at JasonMoran.com.

Show #8 from the 2007 Rochester International Jazz Festival. Featuring reviews, news, interviews and more! On this edition: Live sound samples from James Moody, an interview with guitarist Mel Henderson of Paradigm Shift, and a sneak preview of a soon-to-be-released album from a major name in jazz.

Be sure to visit the following sites for more RIJF coverage:

• Fretful Porpentine
• Jazz@Rochester
• Cup O’ Books
• Will Yurman’s multimedia slideshows
• Refrigerator
• Ron Netsky & Frank DeBlase at City Newspaper
• Polarbird’s Photos

Jason Crane interviews drummer Matt Wilson between his sets at the 2007 Rochester International Jazz Festival. Wilson played two shows with his Arts & Crafts band featuring Dennis Irwin on bass, Gary Versace on organ and piano, and Michael Rodriquez on trumpet (sitting in for Terrell Stafford). The band’s new album is Scenic Route (Palmetto, 2007). Wilson is one of the most in-demand drummers in jazz, having appeared on more than 160 recordings. Find out more at MattWilsonJazz.com.

Show #7 from the 2007 Rochester International Jazz Festival. Featuring reviews, news, interviews and more! On this edition: Live sound samples from the Webster Schroeder High School Jazz Band, a wonderful story about vibraphonist Joe Locke, and some wacky behind-the-scenes antics from the members of Matt Wilson’s Arts & Crafts.

Be sure to visit the following sites for more RIJF coverage:

• Fretful Porpentine
• Jazz@Rochester
• Cup O’ Books
• Will Yurman’s multimedia slideshows
• Refrigerator
• Ron Netsky & Frank DeBlase at City Newspaper

Show #6 from the 2007 Rochester International Jazz Festival. Featuring reviews, news, interviews and more! On this edition: Live sound samples from Trio Beyond with John Scofield, Jack DeJohnette and Larry Goldings, interviews with festival attendees, and conversations with pianist Dino Losito and drummer Mike Melito.

Be sure to visit the following sites for more RIJF coverage:

• Fretful Porpentine
• Jazz@Rochester
• Cup O’ Books
• Will Yurman’s multimedia slideshows
• Refrigerator
• Ron Netsky & Frank DeBlase at City Newspaper