Archive for the 'Jazz Writing' Category

November 3rd 2009
The Kareem Kronicles: How I (almost) (sky)hooked Kareem Abdul-Jabbar

Posted under Jazz Writing

kareem

Late this past spring, I read On the Shoulders of Giants, a book by Kareem Abdul-Jabbar about the Harlem Renaissance, its music, and the effect of both on Kareem’s development as a person. I already knew about his lifelong love of jazz and his wide-ranging education and passions, and he seemed like the perfect guest for The Jazz Session … if I could book him. Little did I know that the process of not booking him would stretch out from the end of one NBA season to the beginning of the next, leaving me with a bad taste in my mouth and one basketball legend short of a show.

On June 3, 2009, I sent the following message to the various addresses listed on Kareem’s site:

Dear Kareem,

I’d love to have you on my jazz interview show, The Jazz Session. I think it would be a lot of fun for my listeners to hear your point of view on jazz, and also on the relationship between sports and music that you’ve so eloquently written and spoken about over the years. In particular, we could talk about On The Shoulders of Giants and then expand into your thoughts on jazz in general.

Recent guests on The Jazz Session include: Sonny Rollins, Jeff “Tain” Watts, Gary Burton, Hugh Masekela, Kenny Garrett and Chico Hamilton. Upcoming guest include Branford Marsalis, Avery Sharpe, Arturo O’Farrill, Gene Ludwig, E.J. Strickland and Henry Grimes. All of the shows are available to listen to at http://thejazzsession.com and in iTunes.

The Jazz Session’s 60 episodes have been downloaded more than 200,000 times. The Jazz Session recently joined forces with All About Jazz to bring my interviews to an even wider audience.

I hope you’ll agree to come on the show. I think it would be rewarding for both of us.

Sincerely,

Jason Crane

Like any initial contact by email, I felt like I was yelling “Anybody home?” in a dark house, but it was worth a shot. Imagine my surprise when just two days later, on June 5, I received the following:

Hi Jason,

Will be a happy to schedule after the Playoff Season ends.

Deborah Morales | iconomist | Iconomy, LLC  |
Private Office of Kareem Abdul-Jabbar |

Can you believe it? Not even 48 hours after I sent the message, Deborah Morales from Kareem’s office had agreed to schedule an interview. I was thrilled. I posted about the coup on Facebook and on The Jazz Session‘s newsletter, and sent a reply to Ms. Morales:

Hi Deborah,

You mean Kareem’s busy right now?

Just kidding — good luck to all concerned. I’m listening every night, and trying not to think of my defeated Celtics.

Should I contact you, or wait to hear from you?

All the best,

Jason

Kareem, of course, was on staff with the Lakers, who were deep into the playoffs on their way to their eventual victory. It was completely reasonable to be asked to wait until after the playoffs and finals were complete, and I was happy to do it. Here’s the note I included in the following week’s newsletter:

If I had a list of people I never would have expected to get for The Jazz Session, I think Kareem Abdul-Jabbar would have easily made the list. Kareem is a big jazzhead, though, and his most recent book traces the evolution of basketball from jazz to hip hop. So I sent him an email message, never expecting a response. Within 48 hours, though, his office responded and said he’d be happy to come on the show after the NBA finals. So Kareem will be a guest. Cool, huh?

The response to the newsletter and my Facebook post was immediate and very positive. Most folks who aren’t jazz fans don’t know any of the people I normally have on my show, but everybody knows Kareem. I was even stopped on the street by friends and acquaintances who congratulated me on booking him. I think my newsletter wording (“Cool, huh?”) just about sums it up.

On June 15, after the Lakers had won the championship, I sent a follow-up message to Ms. Morales:

Hi Deborah,

Congratulations to the Lakers on #15!

My listeners have been very excited about Kareem’s upcoming appearance on
The Jazz Session. I’ve received a lot of feedback already.

My show features in-depth interviews interspersed with audio clips from
the artists’ CDs. Would you send me a copy of Vols. 1-4 of On The
Shoulders of Giants so that I can pull clips from those CDs? (And so that
I can listen to them in preparation for the interview. I’ve already read
the book.) My mailing address is: XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX.

If you’re interested, I do quite a few giveaways on The Jazz Session,
usually of jazz CDs and DVDs. If there are any items Kareem would be
willing to give away, I’d be thrilled to have them.

As for the timing of the interview, I do the majority of my interviews on
weeknights at 8 p.m. Eastern or later. I can sometimes do them on weekends
if necessary. Here are several open dates when I’m available. If none of
these work for Kareem, would you suggest some alternates? Thanks.

7/22
7/23
7/24
7/30
7/31
8/3
8/4
8/5

Thanks again for your help.

All the best,

Jason Crane

It was at this point that things started to go south. Ms. Morales’ response was quick and deflating:
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October 23rd 2009
Gene Ludwig

Posted under Jazz Writing & Organists

GeneatClefClub
Photo by Ben Johnson, Sr.

I saw organist Gene Ludwig in concert earlier tonight, and wrote these three pieces while watching the show. If you’d like to know more about Gene, listen to my interview with him on The Jazz Session.

Gene Ludwig

1.

Gone deep inside, he slides
effortlessly across the organ keys,
never losing the sense of weightlessness
every earthbound mortal
longs for.
Unlike most, he isn’t held
down by gravity, not forced to
wear the chains of step-by-step,
inch-by-inch. Instead, he
gently leaves the earth, smiling.

2.

Perhaps he’s the local mortician,
skin made alabaster through
affinity with those he serves;
or an accountant, toiling away
until life’s energy winds down
like the gold watch they’ll give him;
he could be any one of a hundred
buttoned-up Rotarians in grey flannel suits,
friends with the mayor or with
the chief of police.
Then he sits down at the organ, and
joy springs from those ivory fingers.
He strips off the grey shell,
revealing the light at his core.
That light is the only thing
that reaches us faster
than his sound.

3.

Grabbing two handfuls of
electricity, he
naturally believes that life is beautiful, that
everyone has ready access to this
level of presence, this certain
understanding of the melody.
Doubtless, they all
would trade places
if they could, exchanging
Gene’s grace for their own.

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October 12th 2009
What is jazz, anyway?

Posted under Jazz Writing

popdose-logo

That’s the question I tackle in my latest “Jazz Don’t Hurt” column over at Popdose.com. Enjoy!

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October 5th 2009
CD Review: Darius Jones, Man’ish Boy

Posted under Jazz Writing & Popdose & Saxophonists

My new piece for the online pop culture journal Popdose.com is a review of the terrifyingly beautiful new CD from saxophonist Darius Jones. It’s called Man’ish Boy, and it comes out on October 13 on the AUM Fidelity label.

Here’s a video of Darius Jones with Cooper-Moore on diddley-bow, Michael Hardin on keyboard and Cleve Pozar on drums. Cooper-Moore is on Jones’ new CD.

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June 5th 2009
REVIEW: Respect Sextet at Le Poisson Rouge

Posted under Jazz Writing

respect

My latest article for All About Jazz is a review of the Respect Sextet’s CD release party at Le Poisson Rouge in NYC.

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May 20th 2009
Article: Jo Lawry at All About Jazz

Posted under Jazz Writing

My latest article for All About Jazz is a transcription of my interview with vocalist Jo Lawry.

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May 18th 2009
Article: Biographical sketch of pianist Hiromi

Posted under Jazz Writing

hiromi

My latest article for the Island Packet newspaper on Hilton Head Island is a biographical sketch of Japanese jazz pianist Hiromi.

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May 13th 2009
Article: Transcript of my interview with David Sanborn

Posted under Jazz Writing

My newest article for All About Jazz is a transcript of my interview with saxophonist David Sanborn.

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April 10th 2009
Kilgore, Sheridan reviving the sounds of the ’30s and ’40s

Posted under Jazz Writing

My latest article for The Island Packet newspaper on Hilton Head Island, SC, is about singer Rebecca Kilgore and pianist John Sheridan. Read the article.

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March 27th 2009
Article: Bucky Pizzarelli

Posted under Jazz Writing & Thoughts

My latest article for The Island Packet newspaper is a short biographical sketch of Bucky Pizzarelli. The posted piece is significantly shortened, but you’ll get the idea.

bucky

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January 24th 2009
Article: Mark Shane pays tribute to Fats Waller

Posted under Jazz Writing

My latest article for The Island Packet newspaper on Hilton Head Island, SC, is about pianist Mark Shane:

If you play pool, do it like Minnesota Fats. If you say, “Hey, hey, hey,” do it like Fat Albert. And if you play stride piano, you’d best do it like Fats Waller.

Fans of the stride piano — and of Waller’s infectious music — are in for a rare treat when pianist Mark Shane comes to the Jazz Corner on Hilton Head Island to pay tribute to Waller.

Read the rest of the article.

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January 15th 2009
AAJ’s Top 20 Jazz Interviews of 2008

Posted under Jazz Writing

I’m very happy to have two interviews included in the All About Jazz list of the Top 20 Interviews of 2008. My interviews with pianists Satoko Fujii and Aaron Parks are included in the list. Thanks, AAJ!

In addition to reading the interviews at the All About Jazz site, you can also listen to the episodes of The Jazz Session that feature Fujii and Parks:

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December 5th 2008
Article: Mose Allison biographical sketch

Posted under Jazz Writing

My latest article for the Island Packet newspaper on Hilton Head Island, SC, is a biographical sketch of Mose Allison. Here’s the intro:


I can’t believe the things I’m seeing
I wonder ‘bout some things I’ve heard
Everybody’s crying mercy
When they don’t know the meaning of the word
A bad enough situation
It’s sure enough getting worse
Everybody’s crying justice
Just as long as it’s business first

By JASON CRANE • Special to the Guide

One could easily think those lyrics come from someone like Bright Eyes or Chuck D, but they were written in 1968 by one Mose Allison, the “Sage of Tippo, Miss.”, who performs at the island’s Jazz Corner this weekend.

Over the years that song, “Everybody’s Cryin’ Mercy,” has been covered by everyone from Bonnie Raitt to Elvis Costello, and 40 years later it still stands as a testament to the prescience, courage and conviction of one of the most original songwriters of the 20th century. Allison songs have been covered by an eclectic group that includes Van Morrison, The Who, The Clash and The Yardbirds.

You can read the rest here.

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September 8th 2008
Donny McCaslin at All About Jazz

Posted under Jazz Writing

A transcript of my recent interview with saxophonist Donny McCaslin (Show #39) is now available at All About Jazz.

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September 8th 2008
Expanded Tanglewood Jazz Fest coverage at All About Jazz

Posted under Jazz Writing & Tanglewood Jazz Festival

An expanded version of my coverage of the 2008 Tannglewood Jazz Festival is now available at All About Jazz.

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