Trombonist David Gibson delivers another album full of melody and grounded in a strong sense of purpose on his new CD A Little Somethin’ (Posi-Tone, 2009). Gibson is a veteran of the Dizzy Gillespie All-Star Big Band, and a leader in his own right. In this interview, Gibson talks about the importance of melody in his writing; the sound of a working band; and why he chooses to focus on original compositions. Find out more at jazzbone.org.
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Dutch bassist Joris Teepe has lived in New York for the past 20 years, making a name for himself with everyone from Benny Golson to the late Rashied Ali. Recently, Teepe was commissioned to write music for both an orchestra and a big band in Europe. Those two experiences were so positive that he decided to start a big band in New York, and the result is the CD We Take No Prisoners (Challenge Records/Twinz Records, 2009). In this interview, conducted in Teepe’s back yard in Englewood, NJ, Teepe talks about how Don Braden helped him learn to arrange for large ensembles; how he approaches the bass in the very different bands of Golson and Ali; and why he decided two decades ago to follow the “New York sound” across the water. Learn more at www.joristeepe.com.
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Recently, the fine folks over at NPR’s A Blog Supreme have started asking young jazz aficionados to recommend five recordings from recent years that they would give to someone who was just getting into jazz. I’m much, much too old to have been asked to be a part of the series (clocking in at an ancient 36), but here are my contributions anyway:
Ellis Marsalis is more than the father of four famous sons. He’s an acclaimed pianist and educator in his own right, and his musical history has covered a lot of ground. Homecoming (ELM Records, 2009), his new CD, is a mix of old and new, combining a reissue of 1985 duet session with saxophonist Eddie Harris, and new music recorded in 2009 with fellow New Orleanian pianist Jonathan Batiste. In this interview, Marsalis talks about how his time in the Marines helped build his piano chops; how he got his gig with trumpeter Al Hirt; and what makes New Orleans “fertile ground” for a jazz musician. Find out more at EllisMarsalis.com.
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The American Federation of Jazz Musicians Local 802 is trying to win pension benefits for jazz musicians who play in New York City clubs. In 2007, Local 802 fought and won tax relief for NYC jazz clubs, with the expectation of state legislators that the clubs would use this money to provide pension benefit contributions for jazz artists. Now that the tax money has been made available, the club owners have yet to put the money towards benefits.
In this interview, Local 802 Jazz/Education Representative Todd Weeks lays out the history of the Justice For Jazz Artists campaign and talks about the importance of pensions and other benefits for the musicians — young and old — who play jazz.
HOW YOU CAN HELP: Visit the Justice For Jazz Artists Web site and sign the petition in support of pension benefits for jazz musicians. If you live in the New York City area, there’s a rally on Tuesday, September 29. Details are at the Justice For Jazz Artists site.
Local 802 has also produced this video talking about the campaign, featuring musicians such as Randy Weston, Benny Powell, Dr. Billy Taylor and many others:
Thanks for your help. Here’s the interview with Todd Weeks from Local 802:
Pianist Vijay Iyer navigates the stream of history on his new trio recording, Historicity (ACT, 2009). Joined by bassist Stephan Crump and drummer Marcus Gilmore, Iyer unravels and rebuilds compositions of his own, and those of a cast as diverse as Stevie Wonder, Andrew Hill, Leonard Bernstein and M.I.A. In this interview, Iyer tackles everything from mirror neurons to math jazz, Fibonacci numbers to the legacy of Roy Haynes. And he answers the question: Is it necessary to understand any of this stuff to appreciate his music? Learn more at www.vijay-iyer.com.
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I recently stumbled onto your show — after Googling for interviews with Marcin Wasilewski — and wanted to tell you how great it is. It’s even more impressive knowing that you do it on your own and not with the benefit of having a radio station behind you (best that I can tell, anyway).
Anyway, keep up the good work! Now if we can get Doug Ramsey (the Rifftides guy) on your show, that’d be a real coup. — David P. (Oakland, CA)