My new piece for the online pop culture journal Popdose.com is a review of the terrifyingly beautiful new CD from saxophonist Darius Jones. It’s called Man’ish Boy, and it comes out on October 13 on the AUM Fidelity label.
Here’s a video of Darius Jones with Cooper-Moore on diddley-bow, Michael Hardin on keyboard and Cleve Pozar on drums. Cooper-Moore is on Jones’ new CD.
How do you sum up the career of one of the most distinctive saxophonists ever? For Laurie Pepper, spanning the breadth of her late husband Art Pepper’s career was both a daunting and joyous task, one she accomplished with great success on The Art History Project (Widow’s Taste, 2009). The three CDs cover Pepper’s career from the early 50′s to the early 80s, featuring both previously released and never-before-heard music. In this interview, Laurie Pepper talks about the evolution of Art as a saxophonist; why the Contemporary label wanted to erase tapes of Art’s playing; and why she’s changed her mind about fans recordings gigs. Learn more at StraightLife.info.
If you’d like to buy this album, you can help support The Jazz Session by buying it via the link below. Please note that this is a link to Volume 1 of this 3-volume set.
Guitarist Mike Stern has played with everyone. And yes, that includes Miles Davis. After decades in the business, he could easily be resting on his laurels. Instead, he’s pushing himself into new territory, as displayed on his CD Big Neighborhood (Heads Up, 2009), which finds him in the company of everyone from Esperanza Spaulding to Randy Brecker to Eric Johnson to Steve Vai. In this interview, Stern talks about why he likes surrounding himself with fresh ideas; his rockin’ side and his lyrical side; and how guitarist Hiram Bullock once blew Michael Brecker’s mind. Find out more at mikestern.org.
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